Kirkcudbright Artists Remembered

Recording ‘The Artists Town’ past and present.

Mark Mulhern, European Ethnological Research Centre

One of the ambitions of the Regional Ethnology of Scotland Project (RESP) is to encourage and to facilitate individuals and groups to carry out fieldwork based research borne out of their own interest. So it was with great pleasure that we welcomed the opportunity to work with the Kirkcudbright Harbour Cottage Trust on their project – ‘Kirkcudbright Artists Remembered’.

We provided training and supplied recording equipment to enable the team of 16 volunteer fieldworkers from Kirkcudbright to record folk from the town on their memories and experiences of artists associated with the town.

The results of these labours make a significant addition to the overall collection of material on D&G which the Project has built-up. In addition, this collection of recordings is a rich source of information for anyone interested in finding out more about the work of artists and their place within a place.

A clip from each of the interviews is presented on the RESP website. These clips can be directly accessed by clicking on the name of each interviewee below.

Copyright in these recordings is shared between the European Ethnological Research Centre and the Kirkcudbright Harbour Cottage Trust.

 

Flora McDowall and Hilary Alcock for Kirkcudbright Harbour Cottage Trust

Inspired by a cluster of rapt exhibition visitors listening to an older resident recalling the painter Charles Oppenheimer, the Kirkcudbright Artists Remembered project was born.

Between November 2017 and November 2018, a Kirkcudbright Harbour Cottage Trust team of 16 volunteers carried out 38 interviews with local people who recall the bohemian artists and makers living in the town during the 1940s, 50s and 60s.   Names such as Jessie M King, E A Taylor and Charles Oppenheimer are synonymous with the town, but others were equally popular residents, actively involved with community life.  These include artist David Sassoon, ‘‘the Godfather of Scottish studio pottery” Tommy Lochhead, multi-talented craftsman Tim Jeffs, pastel portraitist Lena Alexander and painters such as Ann and Alistair Dallas and ‘Bill’ Miles Johnston and his wife Dorothy Nesbitt.   Most were incomers to the town attracted by its association with E A Hornel, but the painter John Halliday was born in Kirkcudbright.  Halliday formed strong bonds with the artists’ colony of the time, propelling him onwards to start his career at Glasgow School of Art.

The first port of call for help with the project was David Devereux, formerly Curator of the Stewartry Museum, who provided enthusiastic support and advice.  David suggested contacting the Regional Ethnology of Scotland Project and The Ewart Library, Dumfries.  Alison Burgess, the Dumfries & Galloway Council Local Studies and Information Officer and Regional Network Representative for the Oral History Society, was on hand to help.

It transpired that there had already been a large recording project undertaken in Dumfries & Galloway by the Regional Ethnology of Scotland Project.  Through the EERC we could access recording equipment, expert help with the necessary paperwork and have a home for the resulting recordings at a national level.   There the recordings would become part of the larger study, professionally transcribed and properly preserved for the future.

Making the recordings was a rewarding experience for the volunteers and the participants.  Everyone who contributed had something fascinating to say about the artists, post war life in the town or growing up in Kirkcudbright.   It was a steep learning curve for the volunteers, only one having done anything similar before.   The recordings are not formal, but conversational and relaxed with various interruptions from clocks, doorbells, squeaking furniture and chinking teacups … but no less interesting for that.

Kirkcudbright Artists Remembered moved on to a new phase when support was secured from Dumfries & Galloway Council and The Galloway Association of Glasgow to use the recordings as the basis for two short films.  The services of the BAFTA award-winning young film maker James Alcock secured, the team went on to produce two, six-minute films, ‘Kirkcudbright Artists Remembered’ – which features oral history recording participants and some of today’s artists – and ‘John Halliday, Child of the Colony’.  The films can be accessed on YouTube by clicking below:

Kirkcudbright Artists Remembered

John Halliday Child of the Colony

 

Recording Clips:

Pamela Baillie

Elizabeth Brown

Andrew Campbell

Joe Campbell

David Collin

John Corrie

Alastair Dallas

Marion Devlin

Neil McGill Duncan

Lindsay Forbes

Jane B Gibson

Elizabeth Gordon

John Halliday

Richard Haslam-Jones

Jim Henderson

Willie Henry

Sam Kelly

Alan Kinnear

Wilson Lochhead

Janette Millar

David Mitchell

Helen Murray

Lesley Priestly

Valerie Sadler

Sheila Semple

Anne Shackleton

David Shackleton

Daniel Shackleton

Joseph Sassoon

Donald Shamash

Amy Smith

David Steel

Hazel Twiname

 

 

 

Written Sources from the Dumfries and Galloway Study

In this blog post, our EERC colleague Kenneth Veitch reflects on the written sources gathered during the Dumfries & Galloway Study. These can be accessed in full on the Study website.

Account books, diaries, journals, letters and other personal documents are a rich source of material for ethnologists, historians and others interested in studying everyday life. Separately, they provide first-hand, detailed information about individuals, communities and occupations rarely found in other historical sources, and offer an opportunity to investigate life at the level of the parish, town, workplace or family. Collectively, they show the great variety of everyday life and how its rhythms, forms and customs differed not only across time and place, but also between occupations, social groups and genders. They are particularly useful for studying the eighteenth and nineteenth centuries, a period that lies beyond the reach of first-hand oral reminiscences but when increasing levels of literacy meant that a wide assortment of people were recording their daily affairs. Continue reading

UNESCO celebration of Audiovisual Heritage

Today is all about finalising material for our planned Tweetathon to celebrate UNESCO World Day of Audio Visual Heritage on Friday 27 October.

Over the course of the day we will be sending 24 tweets at half-hourly intervals, starting at 7.00am.  Each tweet will carry the hashtag #Audiovisualheritage and will link to individual clips of fantastic audio material that can be listened to on the Study website.

The 2017 theme is Discover, Remember and Share and we’re excited to be part of this global celebration of sound and vision.

You can find out more about 2017 Word Day for Audiovisual Heritage by following this link:
https://en.unesco.org/wdah2017

Let’s Talk

As part of the EERC’s partnership with D&G Libraries and Archives, the EERC has contributed to the Let’s Talk Project run by Alison Burgess at the Ewart Library, Dumfries.

This project gathers together photographs, objects and sound clips in 20 themed packs which are used by community groups across the region in reminiscence sessions.  This imaginative use of 200 clips from the over 350 interviews form the Dumfries and Galloway: A Regional Ethnology Study meets one of the main aims of the project – to give back to the people of D&G their own material.  It is great to know that the work of the EERC is now being used to allow the people of D&G to talk freely and openly about their lives.  It is also gratifying to know that those who make use of D&G Libraries and Archives ‘Let’s Talk’ project get an immense amount of enjoyment and fun out of it all. Continue reading

A Grand Day Out in Stranraer

Recently I was in Stranraer to meet up with members of the Stranraer and District Local History Trust to hand over hot-off-the-press copies of our first Regional Flashback, Stranraer and District Lives: Voices in Trust. 

Christine and Eric Wilson had very kindly brought together a number of colleagues from the Trust and laid on a celebratory feast at their home.  This included the delicious local tattie scones, which are coated in oatmeal.  We also toasted the book, and our collaboration, with a celebratory glass of sherry.

Donnie Nelson, Nancy McLucas, Christine Wilson, Eric Wilson


Left to right – Donnie Nelson, Nancy McLucas, Christine Wilson, Eric Wilson

Continue reading

Carsluith: Sound and Content

We’re delighted that our audio-visual technician, Colin Gateley, agreed to write a blog post for us.  The result is a posting which gives us a flavour, both of his work and his current project, the digitisation of a recent, and very welcome, donation on fieldwork recordings from Carsluith made in between 1972 and 2006.

I have been working for the EERC as an audio-visual technician, digitising and editing photographic and audio materials for a couple of years now. My background is in audio and digital imaging so the EERC work is something I enjoy from a technical perspective.  My job generally involves working on individual projects over a period of weeks or months. I particularly enjoy the problem solving and also the interesting content of the materials I get to work with. Continue reading

Reconnecting with the past

We were delighted when Julia Macdonald agreed to write this week’s blog post for us.  Julia attended one of the early Study training sessions and went on to make a fieldwork recording with her dad, David Brown.  More recently, as a friend of both Donnie Nelson and the Stranraer and District Local History Trust, Julia came to our assistance when we were looking for additional photographic images for the forthcoming Study Flashback, Stranraer and District Lives: Voices in Trust, and particularly the book cover.


RE-CONNECTING WITH THE PAST THROUGH STORIES AND PHOTOGRAPHS

“I grew up listening to stories from my parents of what life was like when they were young.  My mum told me that during WW2, when she was a young girl, she would stand outside the family cottage and wave to the pilots as they took off from West Freugh.  On one occasion, an enthusiastic pilot flew by even lower than usual, clipping the chimney pot on the farmhouse roof as he passed.  Continue reading

Transcribing for the D&G Study

 I’m Sheila Findlay and for the past four years I’ve been transcribing for the Dumfries and Galloway Study, having worked on over one hundred interviews and sound extracts to date. 

I studied Scottish Ethnology as part of my Economic and Social History degree at the University of Edinburgh and it was there that I was introduced to oral history and the art of transcribing.  Since graduating I have also transcribed for the SAPPHIRE (Scottish Archive of Publishing and Print History and Records) initiative.  I am a founder member of Penicuik Oral History Resource and have undertaken all aspects of oral history collecting while with it and have contributed to its projects aimed at making the resultant material available to the wider community. Continue reading

How Time Flies

It’s difficult to believe that we are coming to the end of our initial 4-year study period in fair Dumfries and Galloway.  We’ll be continuing to support initiatives, such as fieldwork collecting, as well as individual projects, for example our collaboration with Moat Brae, for some time to come.  And our super colleague, Alison Burgess, will co-ordinate and facilitate ongoing activities so we’re looking forward to seeing how this Study will continue and develop into the future.  We are all excited to see, for example, how the fieldwork recordings might be used by school groups, researchers, artists, community groups and individuals to explore our shared history and also, perhaps, inspire new work.

Continue reading