A number of personal research projects of mine have culminated in publication this autumn.
British Design: Tradition and Modernity after 1948 marks the end of a project that began with my co-curation of the British Design: Innovation in the Modern Age exhibition at the Victoria & Albert Museum in 2012.
The exhibition raised many questions about the particular relationship between place, time and space that characterises much of the UK’s design culture, and a conference during the exhibition’s run produced the chapters in this book. Continue reading →
In May I was honoured to be asked to present at the conference ’40 Years On: The Domain of Design History’ at the Open University (OU) in Milton Keynes. The conference celebrated the launch of the pioneering OU programme “History of Architecture and Design 1890-1939”, an authoritative introduction to Modernism presented by Professor Tim Benton.
It was one of the first university courses to subject design and architecture to academic scrutiny in a context that went beyond the art historical. It was also echoed by similar initiatives in art schools around the UK, particularly Middlesex, Brighton, Manchester, Newcastle and the Royal College.
My polemic considered the continuing place of design historical work in our much-altered scholarly environment, and it generated some lively debate!
The Design in Motion travelling gallery (Image courtesy of V&A Dundee)
Like a scene from the Cliff Richard movie ‘Summer Holiday’, the V&A Dundee ‘Design in Motion’ bus pulled in to Edinburgh last week.
I took the opportunity to take a tour at its stop-over in George Street. In collaboration with the Travelling Gallery, the bus is showcasing the work of contemporary designers trained or based in Scotland who engage with the challenges of digital technology. Continue reading →
If I was a much younger man looking for metropolitan thrills and a glimpse of a future self, I think that Shanghai might be my choice of escape. New York and Berlin (the destinations for my generation) seem so twentieth-century by comparison. Continue reading →
Image by Billy Smith (bit.ly/tunnocks-van), used under a Creative Commons license
Holidays in the Hebrides and the busy beginning of semester have rather limited time for the blog, but I return with a transcription of a position statement I delivered during the last week of the Edinburgh International Festival at the end of August at a discussion panel addressing the question of ‘soft power’ in contemporary Scotland. Chaired by my colleague Charlie Jeffery and including contributions by developmental linguist Antonella Sorace and think-tank consultant John Holden, it took place before last night’s momentous referendum vote, but it seems apposite to post it the day after. Continue reading →
To Jim Lambie’s Poetry Club in Glasgow’s West End last night to contribute to an event hosted by the design and curation outfit Panel, directed by the talented Catriona Duffy and Lucy McEachan. In tandem with the Commonwealth Games, Panel had commissioned a number of Scotland-based artists and designers to produce a limited run of six souvenirs for the Games, in a collection called Scotland Can Make It. Continue reading →