Abstract: Although dance is a common religious expression, its place in the Christian tradition has been contested. In modern Protestant Norway, dance has mostly been considered irrelevant to church life or even sinful. In recent decades, however, dance has become increasingly common in Norwegian churches. The present analysis of empirical data on dance in Christian settings in contemporary Norway is based on participant observation and interviews. While younger dancers (born after 1990) consider it natural to dance in church, and are usually welcome to do so, older participants have met significant resistance. When dancing, dancers find personal meaning (wellbeing, processing emotions and life events), social meaning (communication, belonging), and religious meaning (contact with God, prayer, growth). Dance emerges as a part of lived religion that clearly highlights how bodies matter, and how spiritualities are gendered, in this contribution to understanding the embodied dimensions of religion.
Abstract: Drawing on the ethnographic study of the Norwegian Facebook group Yes to wearing the cross whenever and wherever I choose, this article focuses on the emotive performance of conflict. The author delves into the multitude of ways in which emotion appears to drive the conflict(s) in Yes to wearing the cross whenever and wherever I choose. This Facebook group, by virtue of dealing with religion and identity issues contains typical trigger themes, which may lead audiences to emotively enact conflict. Still, these modes of enactment of conflict cannot be understood as a characteristic of religious strife alone. Drawing on Papacharissi’s concept of ‘affective publics’ this article compares the modes of conflict performance, the most salient frames, trigger themes, and emotive cues in this Facebook group to findings from other studies about mediatized conflict. The analysis demonstrates that mediatized conflicts appear to be emotively performed in very similar, at times even identical ways, across a variety of themes and contexts. Participatory media audiences’ tendency to remediate conflicts in ways that draw on an abundance of emotional cues appears to be integral to the enactment of mediatized conflicts. It is argued that we ought to speak not only of affective publics but also of the politics of affect.
Publisher’s Description: In Mission Station Christianity, Ingie Hovland presents an anthropological history of the ideas and practices that evolved among Norwegian missionaries in nineteenth-century colonial Natal and Zululand (Southern Africa). She examines how their mission station spaces influenced their daily Christianity, and vice versa, drawing on the anthropology of Christianity. Words and objects, missionary bodies, problematic converts, and the utopian imagination are discussed, as well as how the Zulus made use of (and ignored) the stations. The majority of the Norwegian missionaries had become theological cheerleaders of British colonialism by the 1880s, and Ingie Hovland argues that this was made possible by the everyday patterns of Christianity they had set up and become familiar with on the mission stations since the 1850s.