By Nofit Itzhak (University of California, San Diego)
While conducting fieldwork for her dissertation project among contemporary witches in Britain, Tanya Luhrmann woke up one morning to the startling vision of six druids standing against the window of her London apartment. The vision, a kind of temporary blurring of the boundary between the perceptible and the imagined, was the fruit, Luhrmann surmised later on, of visualization exercises aimed at enhancing one’s imaginative capacities, exercises she engaged in alongside her interlocutors, as she tried to understand how modern, rational people came to experience magic as real. In Persuasions of the Witch’s Craft (1989), the resulting ethnography, she suggested that it was specifically this kind of imaginative and sensory retraining that allowed her interlocutors to inhabit a world which was at once rational and magical. Luhrmann’s latest ethnography, When God Talks Back, picks up where Persuasions left off, or rather addresses a similar problematic in a different ethnographic context, that of the American Evangelical Vineyard.