Abstract:In Christian traditions of “speaking in tongues,” glossolalia refers to an explicitly linguistic form of involvement with the deity, one carried out through denotationally unintelligible behavior. Its religious legitimacy depends on its being speech and not merely speech-like. South Korean Christians practice glossolalia widely across denominations, commonly in cacophonous settings of group prayer. Combined, glossolalia and cacophony impose limits on “normal” linguistic functions while reinforcing ideological commitments to language itself. Glossolalia should be conceptualized as cultural semiosis that is said to contain, and can therefore be justified by, an ideological core of language, but that is in fact produced at the ideological limits of language. This dynamic shapes how practitioners discern the nature of communication with their deity and with one another.
Abstract: This paper is an analysis of the final sermon of Billy Graham’s 1973 Crusade in Seoul, South Korea, when he preached to a crowd estimated to exceed one million people. Next to Graham at the pulpit was Billy Jang Hwan Kim, a preacher who, in his capacity as interpreter, translated Graham’s sermon verbally and peri-verbally—utterance by utterance, tone by tone, gesture by gesture—for the Korean-speaking audience. I examine the dynamic pragmatics (for example, chronotopic formulations, deictic calibrations, voicing and register effects, and indexical dimensions of entextualization) by which a sermonic copy across linguistic codes became an evangelical conduit between Cold War polities. In so doing, I demonstrate how the scope of intertextual analysis can be expanded productively from the narrow translation of denotation across codes to the broader indexical processes of semiotic “transduction” across domains of cultural semiosis.
Abstract: Within the anthropology of Christianity, much attention has been paid to the convergence of Christianity with modern understandings of language. In this essay, I review scholarship that traces the historical connections between modern and Christian views of language, particularly in British colonial attacks on Hindu language practices, and I examine two recent ethnographies that offer different vantage points on the variety of ways in which contemporary Christians use language in a self-consciously modern way.
Abstract: This article proposes some analytical and methodological approaches to the urban ethnography of the human voice. Drawing on research among Protestant Christians in Seoul, South Korea, I consider the voice along three semiotic dimensions: the relationship between body and sound, the relationship between speech and song, and the relationship between the literal voice and more metaphorical understandings of voice (as perspective, political position, personhood, style, etc.). By focusing on Seoul’s rapid postwar urbanization, the growth of Protestant Christianity, and the intersection of these two phenomena in the suppression and erasure of signs of struggle and hardship by a certain population among the city’s Christians, I demonstrate how a focus on the human voice has the potential to illuminate important issues in the urban ethnography of newer Asian ‘megacities.’
Abstract: This ethnographic analysis of the pragmatic links among forms of address, honorifics, and narratives of spiritual maturity clarifies a conflict between two Christian models of social change in South Korea: absolute social rupture and transcendence, and progressive shifts in social orientation and institutional self-location. The focus is on a Protestant proposal for all Korean Christians to address one another with the terms hyŏngje-nim (brother) and chamae-nim (sister). While these terms promised to combine the intimacy of siblinghood with the clear marking of Christian status, they generally had the interactional effect of establishing distance where there was to be closeness and lowering where there was to be esteem. Furthermore, a simplification of address to these two basic kinship terms threatened to establish an ascetic mode of pragmatics that would override the intricate formal coding and indexing of status differentiation by the enregistered honorifics of Korean. Combined, these limited forms of address and the severe restriction of social deixis generated yet further conflict between different chronotopic formulations of social relations, namely between the narrative timespace internal to specific kinds of Korean social relations, and the generalized external narrative timespace of modern Korean Christian society at large.
Release Date: December 13, 2013
Publisher’s Description: Songs of Seoul is an ethnographic study of voice in South Korea, where the performance of Western opera, art songs, and choral music is an overwhelmingly Evangelical Christian enterprise. Drawing on fieldwork in churches, concert halls, and schools of music, Harkness argues that the European-style classical voice has become a specifically Christian emblem of South Korean prosperity. By cultivating certain qualities of voice and suppressing others, Korean Christians strive to personally embody the social transformations promised by their religion: from superstition to enlightenment; from dictatorship to democracy; from sickness to health; from poverty to wealth; from dirtiness to cleanliness; from sadness to joy; from suffering to grace. Tackling the problematic of voice in anthropology and across a number of disciplines, Songs of Seoul develops an innovative semiotic approach to connecting the materiality of body and sound, the social life of speech and song, and the cultural voicing of perspective and personhood.