Abstract: Among Syriac Orthodox Christian migrant communities in the Netherlands, liturgical performance is a site of controversy over where and how to draw a boundary between “religious” and “ethnic” identity. Tensions materialize in discordant singing styles and modes of performance, echoing complex historical encounters with Dutch, Syrian, and Turkish secularisms. These encounters, I argue, have refashioned the liturgical tradition’s role as a central axis of ethnoreligious social life and kin relations across the diaspora. Secular state practices shape a diasporic sensory culture that is met with a distinct form of vocal agency. Syriac Orthodox liturgical experiments show how the voice can transform the sensorial interface between human subjectivity and social intelligibility, in turn transforming how categories of secular modernity—whether ritual, art, ethnicity, or politics—are distinguished and lived.
Abstract: This paper examines the contextualization of the Jesus story by Ghanaian Christians. It approaches it through the analysis and evaluation of inherent ideas in their songs, sermons and practices that reflect their interpretation of the Christian experience in relation to primal religion and culture, and the Bible. The results show that Ghanaian Christians do not play down the ubiquity of evil in the world. Nonetheless, they see in Jesus Christ the incomparable, victorious Saviour who has made it possible for believers to overcome the evils of this world. Accordingly, they insist that in Christ believers can enjoy “full” and “complete” salvation in every area of life.
Bakker, Sarah. 2013. Fragments of a Liturgical World: Syriac Christianity and the Dutch Multicultural Debates. Doctoral Dissertation, Dept. of Anthropology. Santa Cruz, CA: University of California-Santa Cruz.
Abstract: This dissertation explores the reconfiguration of Syriac Orthodox liturgical tradition among Aramaic-speaking Christian refugees in the Netherlands. Under the pressures of Dutch integration policy and the global politics of secular recognition, the Syriac liturgy is rapidly losing its significance as the central axis of social life and kinship-relations in the Syriac Orthodox diaspora. As such, it has become a site for debate over how to be religiously, culturally, and ethnically distinct despite the narrative binary of Christian Europe and the Muslim Middle East that dominates Dutch multiculturalism discourse. Every week, young Syriac Orthodox women and men congregate at their churches to practice singing the liturgy in classical Syriac. What they sing, and how they decide to sing it, mediates their experiments in religious and ethical reinvention, with implications for their efforts at political representation. Singers contend not only with conditions of inaudibility produced by histories of ethnic cleansing, migration, and assimilation, but also with the fragments of European Christianity that shape the sensory regime of secular modernity. Public debates over the integration of religious minorities illuminate this condition of fragmentation, as well as the contest over competing conceptions of ethical personhood inherent in the politics of pluralism in Europe.