Abstract: This article attends to the central role of video and projection screens in transnational multisite churches based in South Korea. Drawing on field research in Seoul and in Los Angeles, this article illustrates how the relationship between congregants and the screens themselves is a condition for the emergence of a particular configuration of Christian community, which I will peirastically call “screen Christianity.” The place of screens and their related practices undergird theological conceptions of contact and community, such that screens are said to transmit healing touches and pastors are understood to be present through the proliferation of their screened image. Considering these Christian churches as engaging in screen Christianity highlights how particular material configurations animate these church bodies and ultimately make such transnational communities imaginable
Abstract: This article highlights an aspiration specific to Seoul that is projected onto, experienced, and contested by North Korean refugee-migrants who have recently arrived by way of China in this capitalist city of a divided Korea. I pay particular attention to the role of the evangelical Protestant Church in the process of subjectification of these migrant individuals and the performative rituals by which they negotiate religious-political aspirations toward the future. The bodily-spiritual transformation of individual North Korean migrants into Christians is not strictly teleological and is more complicated, ambivalent, and diversified. By comparing two distinctive North Korean migrant activities—the balloon leaflet campaigns and the With-U music concerts and activities—this article discusses the efficacies of the performative rituals of violence and peace that contest and constitute the particular religious-political aspirations in the context of late-Cold War Seoul.
Release Date: December 13, 2013
Publisher’s Description: Songs of Seoul is an ethnographic study of voice in South Korea, where the performance of Western opera, art songs, and choral music is an overwhelmingly Evangelical Christian enterprise. Drawing on fieldwork in churches, concert halls, and schools of music, Harkness argues that the European-style classical voice has become a specifically Christian emblem of South Korean prosperity. By cultivating certain qualities of voice and suppressing others, Korean Christians strive to personally embody the social transformations promised by their religion: from superstition to enlightenment; from dictatorship to democracy; from sickness to health; from poverty to wealth; from dirtiness to cleanliness; from sadness to joy; from suffering to grace. Tackling the problematic of voice in anthropology and across a number of disciplines, Songs of Seoul develops an innovative semiotic approach to connecting the materiality of body and sound, the social life of speech and song, and the cultural voicing of perspective and personhood.
Contributors: Richard Fox Young, Jonathan A. Seitz, Nola Cooke, Richard Burden, Joseph Tse-Hei Lee, La Seng Dingrin, Erik de Maaker, Sipra Mukherjee, Gregory Vanderbilt, Jonas Adelin Jorgensen, Chad M. Bauman, Franklin Rausch, Rhonda Semple, Matthias Frenz, Edwin Zehner
Publisher’s Description: Drawing on first person accounts, Asia in the Making of Christianity studies conversion in the lives of Christians throughout Asia, past and present. Fifteen contributors treat perennial questions about conversion: continuity and discontinuity, conversion and communal conflict, and the politics of conversion. Some study individuals (An Chunggŭn of Korea, Liang Fa of China, Nehemiah Goreh of India), while others treat ethnolinguistic groups or large-scale movements. Converts sometimes appear as proto-nationalists, while others are suspected of cultural treason. Some transition effortlessly from leadership in one religious community into Christian ministry, while others re-convert to new forms of Christianity. The accounts collected here underscore the complexity of conversion, balancing individual agency with broader social trends and combining micro- with macrocontextual approaches
Abstract: The author takes a historical and ethnographic approach to the rise of Korean Protestantism and its relationship to Korean modernization and capitalist development. He argues that while theories of Asian capitalism have looked at the ways a Confucian work ethic has helped the development of Asian capitalist economies, this perspective ignores the overarching concern with regional identity. This approach has also tended to ignore the diversity of religious landscapes in East Asia. The author argues that the phenomenal rise of Protestantism in South Korea has to be located within the context of processes of modernization. Exploring ethnographically the nature of Korean Protestantism reveals a theological doctrine of Puritanism, which shares ‘elective affinities’ with the capitalist ethic. Adopting a Weberian approach the author undertakes a detailed analysis of the sermons and ritual life of one Korean church in Seoul and relates this to larger historical and economic processes in South Korea.