Abstract: The 1MDB (1Malaysia Development Berhad) scandal and 2018 elections brought the corruption and nepotism of Malaysian politics to international attention. For my Christian Dusun interlocutors in the Ranau hinterlands of Sabah, Malaysia, one effect of corruption, as well as state-driven ‘Islamisation’, is that many people no longer trust their government, the moral failings of which are viewed as unchristian. Crucially, Western liberal democracies are often imagined as being both Christian and white, stimulating optimistic interpretations of racial whiteness. In this article, I employ theories of the fetish to unveil the inspired ‘cultural criticism’ that emerges at the interface of two social worlds (Spyer, Patricia. 1988. Introduction. In Border Fetishisms: Material objects in unstable spaces, edited by Patricia Spyer, pp. 1–12. Psychology Press; Graeber, David. 2005. Fetishism as Social Creativity or, Fetishes are Gods in the Process of Construction. Anthropological Theory, 5(4):407–438). The affective relations between people, images and ideas in postcolonial Ranau contributed to the construction of my embodied racial identity, orang putih (white person), which was fetishised by Christian Dusun as a ‘container’ (Newell, Sasha. 2014. The Matter of the Unfetish: Hoarding and the Spirit of Possessions. HAU: Journal of Ethnographic Theory, 4(3):185–213) of hope for their own Christian future.
Abstract: The image of a violated social contract has long held a distinctive place in African American Christian thought about injustice. This essay discusses the efforts made by members of Pentecostal churches in Buffalo, New York, to enter into forms of contract with God that supersede the broken social contracts they see as devaluing their lives. These believers listen to God’s words as expressed in prophetic utterances for “confirmation” of the significance of events. In their view, “catching the word” through faithful listening enables them to create social commitments on their own terms, whereas their creative capacities are liable to be alienated from them if they listen improperly. Applying David Graeber’s revisionist treatment of “fetishism” as a form of social creativity, this essay explores how believers create their blessings within a dialogic space involving themselves, God, the devil, and pastor- prophets with exceptional abilities to listen to and convey the terms of the divine contract.