Abstract: In this paper, I explore the way in which examples are used in sermons among the pious followers of Our Lady of Soufanieh in Damascus, Syria. In the sermons, a particular logic of seriation functions to present specific models and exemplars as prisms of lives to be imitated. The framing of these lives takes place through entextualizations, whereby the life of some is made into texts that others are told to emulate. The process of making life into text and text into life is explored in the production of examples at the weekly Saturday sermons in Soufanieh. While directly related to life as lived, such sermons also stand for a broader class of life as forma vitae, that is, lives to be followed. I thus explore the example as exemplum, a particular moral story used for edification and didactic purposes, one which situates the listener at the centre of the story by integrating the miraculous happenings in Soufanieh with the response of the individual. The sermons thus serve to examine exemplification and the modelling of sainthood in Damascus in the years preceding the current civil war.
Publisher’s Description: A classic question in studies of ritual is how ritual performances achieve-or fail to achieve-their effects. In this pathbreaking book, Matt Tomlinson argues that participants condition their own expectations of ritual success by interactively creating distinct textual patterns of sequence, conjunction, contrast, and substitution. Drawing on long-term research in Fiji, the book presents in-depth studies of each of these patterns, taken from a wide range of settings: a fiery, soul-saving Pentecostal crusade; relaxed gatherings at which people drink the narcotic beverage kava; deathbeds at which missionaries eagerly await the signs of good Christians’ “happy deaths”; and the monologic pronouncements of a military-led government determined to make the nation speak in a single voice. In each of these cases, Tomlinson also examines the broad ideologies of motion which frame participants’ ritual actions, such as Pentecostals’ beliefs that effective worship requires ecstatic movement like jumping, dancing, and clapping, and nineteenth-century missionaries’ insistence that the journeys of the soul in the afterlife should follow a new path. By approaching ritual as an act of “entextualization”-in which the flow of discourse is turned into object-like texts-while analyzing the ways people expect words, things, and selves to move in performance, this book presents a new and compelling way to understand the efficacy of ritual action.