By: Girish Daswani (University of Toronto)
In an important thesis published in 1998, Birgit Meyer showed how making a ‘complete break with the past’ had become a central concern for Ghanaian Pentecostals. Five years later, Joel Robbins’ (2003) piece on the problem of “continuity thinking” (an anthropological bias toward emphasizing cultural continuity) called for “an anthropology of discontinuity”, that further engaged with a self-conscious anthropology of Christianity (see Bialecki et al 2008:138). Since then, the literature on discontinuity and rupture, which takes seriously Christian ideology and Christian attempts to bring about change, has shaped many debates (Meyer 2004; Engelke 2004; Robbins 2007). It has also impacted on how, when I came back from my doctoral fieldwork in 2004, I related to my ethnographic material. While I purposefully moved at the time beyond the public rhetoric of rupture to, instead, reflect on how different groups of Ghanaian Pentecostal believers selectively drew from and struggled with the discourse of discontinuity (Daswani 2007; see also Engelke 2010), the underlying question of what Ghanaian culture brought to Pentecostalism eventually fell – at least for a while – out of focus (Daswani 2015).