Excerpt: “The scope of this chapter is to draw the map of the pentecostal cultural landscape and make an inventory of actors and factors, patterns and processes. The expansion of Pentecostalism amid profound changes in the world will first lead to a discussion of two recent trends in the world cultural situation: a chance in perspective and a recognition of the human capacity for meaning-making. Subsequently four aspects of the relationship between Pentecostalism and culture receive attention: that Pentecostalism appears to offer a ‘portable identity,’ the question of the degree to which continuity and rupture with the surrounding culture occur, the conversion process, and a repertoire model of a church 0r community. A section on the methodology of the study of the cultural dimension of Pentecostalism appears before the concluding summary …..”
Abstract:Do local church organists form communities? As ritual specialists, church organists have long played an indispensible role in facilitating North American and European Christian worship. Despite the diverse musical practices of Christianity, most mainline Protestant Sunday morning organ music falls within a relatively narrow range of repertoire and performance practice. Such musical continuity implies a level of communication between organists. Yet, since most organists work similar hours on Sunday mornings, they only infrequently observe each other during services. What explains the musical similarities? Do organists share educational backgrounds and sources of repertoire? How does musical information travel between organists? How does the contemporary reconfiguration of mainline Christianity impact organists’ sense of community? In this paper, I explore these issues through one basic question: do local organists form a musical community?