Abstract: The relationship between Christianity and anthropology is complex. At one level, Christianity has deeply affected anthropology, both through the wider intellectual tradition from which anthropology developed and through the religious practices and imaginations of particular leading historical figures. At the same time, there has been animus both toward Christian anthropologists and toward the study of avowedly Christian populations qua Christians. Anxiety over this reluctance to focus on Christian populations has led some anthropologists to establish a self‐consciously comparative “anthropology of Christianity”; the resulting conversation has made contributions to anthropological debates about temporality, language use, economy and exchange, and personhood. While scholars working in this area have tended to focus on Pentecostalisms outside Euro‐America, and on politically conservative activist religion in Euro‐America, increasingly other forms of Christianity, such as Catholicism and Orthodoxy, are receiving attention as part of an “anthropology of Christianity” as well.
Abstract: This article attends to the central role of video and projection screens in transnational multisite churches based in South Korea. Drawing on field research in Seoul and in Los Angeles, this article illustrates how the relationship between congregants and the screens themselves is a condition for the emergence of a particular configuration of Christian community, which I will peirastically call “screen Christianity.” The place of screens and their related practices undergird theological conceptions of contact and community, such that screens are said to transmit healing touches and pastors are understood to be present through the proliferation of their screened image. Considering these Christian churches as engaging in screen Christianity highlights how particular material configurations animate these church bodies and ultimately make such transnational communities imaginable
Abstract: Praise dance is a Christian movement genre, popular among churchgoing women of color in the United States, characterized by the use of interpretive dances as vehicles of liturgical worship, testimony, and evangelism. Combining spiritual and artistic disciplines, including techniques derived from ballet and modern dance, black female praise dancers embody the gospel and cultivate religious authority in ways that reinforce orthodox norms while elevating creative skills and aesthetic sensibilities normally found outside the purview of religious tradition. Such efforts, and the challenges and opportunities they entail, demonstrate how the movement of cultural forms between secular and religious domains inﬂuences ritual innovations and the terms in which they are authorized. They also show how gendered conceptions of embodiment and power may be reimagined.
Hurley, Jill L. 2018. “Understanding Christian Conversion as a Post-Relational Ontological (Re)turn to Relations.” OKH Journal: Anthropological Ethnography and Analysis Through the Eyes of Christian Faith. 2(2).
Abstract: Since 1950, when Nepal opened its doors to Christianity, people have been converting in rapid pace. Anthropologists have theorized for decades that in the process of converting from any religion to Christianity, persons experience a relational rupture. By combining the set theory of Hiebert and post-relational ontological turn theory of Holbraad and Pedersen, I explore how the anthropological approach must change its starting point in order to understand how and why conversion happens. As we understand the motivations for conversion, we can see that relational rupture does not exist for Christian converts because of the core emphasis on relationality found within Christianity. Through ethnographic research, I was able to effectively show how conversion to Christianity should be considered a post-relational ontological re(turn) to relations.
Abstract: This article provides an overview of recent scholarship on the language of evangelism and missionization within the anthropology of Christianity. Attention to Christian evangelism and forms of circulation was minimized as scholars worked to distinguish the study of Christianity from the study of colonialism, often treating missionaries and missionization as a prologue to a more central analysis of transformation organized through local people and local cultural change. However, issues of circulation are at the heart of many Christian experiences, especially for those within evangelical, Pentecostal, and charismatic worlds. This research is discussed here in terms of Christian cultures of circulation specifically and of models of communicative circulation more generally. Framing the language of evangelism in terms of circulation allows for the integrated discussion of a wide range of related issues, including work on translation, missionary training practices, and material formations of evangelism
Kpobi, Lily, Anokyewaa Sarfo, Elizabeth, and Joana Salifu Yendork. 2017. “I’m Here Because of Christ and Worshipping God . . .”: actors Influencing Religious Switching Among Ghanaian Charismatic/Neo-Pentecostal Christians. Archive for the Psychology of Religion 39 (3). 295-311.
Abstract: Many people like to identify as belonging to one church or another. Previous studies have explored the process of switching from one religious group to another, and this process has identified various factors that determine the likelihood and reasons for switching. Although this has been explored, little is known about the factors that influence switching among charismatic Christians in Ghana, and the potential implications of such switching on mental well-being. Our study therefore explored the reasons given by members of selected neo-Pentecostal/charismatic churches in Ghana for their decision to switch to these churches. The study was conducted in six neo-Pentecostal churches in Accra and Kumasi through the use of individual and focus group interviews as well as observations of church activities. A total of 86 respondents cited reasons such as geographic mobility, marriage, answers to prayer, as well as miracles and prophecies as their determining factors. These are discussed with emphasis on the potential implications for mental health such as psychological distress, blind faith, and individual agency.
Abstract: Although human rights are often framed as the result of centuries of Western Christian thought, many English evangelicals are wary of the U.K.’s recent embrace of rights-based law. Yet this wariness does not preclude their use of human rights instruments in the courts. Drawing upon fieldwork with Christian lobbyists and lawyers in London, I argue that evangelical activists instrumentalise rights-based law so as to undermine the universalist claims on which they rest. By constructing themselves as a marginalised counterpublic whose rights are frequently ‘trumped’ by the competing claims of others, they hope to convince their fellow Britons that a society built upon the logic of equal rights cannot hope to deliver the human flourishing it promises. Given the salience of contemporary political conservatism, I call for further ethnographic research into counterpublic movements, and offer my interlocutors’ instrumentalisation of human rights as a critique of the inconsistencies of secular law.
Publisher’s Description: The Empty Seashell explores what it is like to live in a world where cannibal witches are undeniably real, yet too ephemeral and contradictory to be an object of belief. In a book based on more than three years of fieldwork between 1991 and 2011, Nils Bubandt argues that cannibal witches for people in the coastal, and predominantly Christian, community of Buli in the Indonesian province of North Maluku are both corporeally real and fundamentally unknowable.
Witches (known as gua in the Buli language or as suanggi in regional Malay) appear to be ordinary humans but sometimes, especially at night, they take other forms and attack people in order to kill them and eat their livers. They are seemingly everywhere and nowhere at the same time. The reality of gua, therefore, can never be pinned down. The title of the book comes from the empty nautilus shells that regularly drift ashore around Buli village. Convention has it that if you find a live nautilus, you are a gua. Like the empty shells, witchcraft always seems to recede from experience.Bubandt begins the book by recounting his own confusion and frustration in coming to terms with the contradictory and inaccessible nature of witchcraft realities in Buli. A detailed ethnography of the encompassing inaccessibility of Buli witchcraft leads him to the conclusion that much of the anthropological literature, which views witchcraft as a system of beliefs with genuine explanatory power, is off the mark. Witchcraft for the Buli people doesn’t explain anything. In fact, it does the opposite: it confuses, obfuscates, and frustrates. Drawing upon Jacques Derrida’s concept of aporia—an interminable experience that remains continuously in doubt—Bubandt suggests the need to take seriously people’s experiential and epistemological doubts about witchcraft, and outlines, by extension, a novel way of thinking about witchcraft and its relation to modernity.
Description: What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once ‘foreign’ become ‘indigenous’? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms?
Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be ‘local’ and ‘Christian’. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be ‘local’ and ‘Christian’. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.
Description: The call to contemplative Christianity is not an easy one. Those who answer it set themselves to the arduous task of self-reformation through rigorous study and practice, learned through the teachings of monks and nuns and the writings of ancient Christian mystics, often in isolation from family and friends. Those who are dedicated can spend hours every day in meditation, prayer, liturgy, and study. Why do they come? Indeed, how do they find their way to the door at all?
Based on nearly four years of research among semi-cloistered Christian monastics and a dispersed network of non-monastic Christian contemplatives across the United States and around the globe, The Monk’s Cell shows how religious practitioners in both settings combined social action and intentional living with intellectual study and intensive contemplative practices in an effort to modify their ways of knowing, sensing, and experiencing the world. Organized by the metaphor of a seeker journeying towards the inner chambers of a monastic chapel, The Monk’s Cell uses innovative “intersubjective fieldwork” methods to study these opaque, interiorized, often silent communities, in order to show how practices like solitude, chant, contemplation, attention, and a paradoxical capacity to combine ritual with intentional “unknowing” develop and hone a powerful sense of communion with the world.