{"id":48,"date":"2013-08-28T08:20:15","date_gmt":"2013-08-28T08:20:15","guid":{"rendered":"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/?page_id=48"},"modified":"2015-07-23T08:02:50","modified_gmt":"2015-07-23T08:02:50","slug":"fiddler-4","status":"publish","type":"page","link":"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/fiddlers\/fiddlers-n\/fiddler-4\/","title":{"rendered":"Derek Hoy"},"content":{"rendered":"<p><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2013\/11\/derek-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-198\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2013\/11\/derek-1.jpg\" alt=\"derek-1\" width=\"260\" height=\"232\" \/><\/a><\/p>\n<div id=\"wp-tabs-1\" class=\"wp-tabs wpui-light wpui-styles wpui-tabs-horizontal\" data-style=\"wpui-light\"><\/p>\n<p><h3 class=\"wp-tab-title\"> Biography<\/h3> <div class=\"wp-tab-content\"><div class=\"wp-tab-content-wrapper\"><\/p>\n<p>An obituary by Jim Gilchrist was published in The Scotsman on 16 November 2012:<\/p>\n<p>DEREK Hoy balanced a public life as a fiddle player with the near-legendary Jock Tamson\u2019s\u00a0Bairns and other folk bands with a far lesser known but immensely far-reaching career as an\u00a0innovator in the field of information and communications technology in health care. In his own\u00a0words, he \u201cescaped an early brush with architecture\u201d, going on to become a nurse, nursing\u00a0tutor then pioneer in the field of health informatics, an unflappable, dry-witted presence, as at\u00a0ease in a ceilidh as in an international conference.<\/p>\n<p>One of four children, Hoy was born and raised in Edinburgh and went to Daniel Stewart\u2019s\u00a0School, where early musical leanings saw him standing in as the school pipe band\u2019s drum major.\u00a0He also learned cello but, according to family lore, one day picked up his grandfather\u2019s fiddle\u00a0and that was that.<\/p>\n<p>His growing interest in traditional music was intermingled with an appetite for Captain\u00a0Beefheart and Frank Zappa, while his older brother David, already playing drums in a band,\u00a0taught him basic guitar. After graduating in architecture from Edinburgh University, he took a\u00a0post-grad nursing degree course, following that with an MSc in education and working as an\u00a0intensive care nursing tutor. He was fascinated by the advent of internet technology and, seeing\u00a0its applications elsewhere, realised its potential within health care. A scholarship took him to\u00a0the United States in the early 1980s to study information systems and establish enduring\u00a0professional connections and friendships.<\/p>\n<p>Hoy\u2019s vision was frequently 20 years ahead of his time \u2013 \u201cat the bleeding cutting edge\u201d of health\u00a0informatics, as one colleague put it. Behind quirky acronyms, his innovations provided very real\u00a0benefits. For instance, Agnis (A Generic Nursing Information System), named with\u00a0characteristic wit after one of his bosses, was used widely in a number of countries as an\u00a0educational tool for nursing students. Aliss (Access to Local Information to Support Selfmanagement)\u00a0is making a very real impact on the lives of people with long-term health\u00a0conditions.\u00a0International projects included Telenurse, providing informatics infrastructure for nurses across\u00a0Europe, and WiseCare, uniting computer specialists and clinical experts in the care of cancer\u00a0patients. One collaborator, Peter Ashe of NHS National Services Scotland, remembers Hoy as\u00a0\u201ca maker as well as a visionary. He built the systems at the heart of all these innovations.\u201d He\u00a0worked variously with the National Health Service in Scotland and with the Scottish\u00a0Government, then spent several years as a senior researcher with Glasgow Caledonian\u00a0University. In 2009, with Professor Nick Hardiker of Salford University, he formed\u00a0Snowcloud, continuing his visionary work and collaborating with colleagues in Scotland, the\u00a0Netherlands and Switzerland (a suggested alternative company title was MIP \u2013 Men In Pyjamas,\u00a0reflecting frequent Skype conversations at all hours).<\/p>\n<p>Hardiker agrees that few people understood exactly what Hoy did outwith his fiddler\u2019s chair,\u00a0but, he says, \u201cDerek quietly made an enormous contribution to the field of health informatics,\u00a0in Scotland and internationally.\u201d Hardiker acknowledges Hoy\u2019s ability to use mind maps and\u00a0other paper-and-pencil sketches to put over complicated ideas: \u201cI have yet to meet anyone who\u00a0matches Derek\u2019s ability to make really complex things so easy to understand.\u201d<\/p>\n<p>Among online tributes from across the globe, one lamented the passing of \u201chis out-of-the-box\u00a0thinking, quick wit and love of good single malt\u201d. And malt as much as music helped oil the\u00a0development of healthcare informatics. A seminar might end with Hoy producing his fiddle,\u00a0while many Edinburgh meetings were held in the Scotch Malt Whisky Society \u2013 where, he\u00a0blogged, he found his newly arrived iPad useful as a tray. \u201cBut it\u2019s just the 16GB wfi model,\u201d he\u00a0reported, \u201cso only holds four drams at a time.\u201d<\/p>\n<p>Hoy\u2019s progress in health care computing was paralleled by his commitment to traditional\u00a0music, with early groups during the 1970s, including Wee Willum and Chorda. There was also\u00a0the short-lived Harry and the Helmets, for whom Hoy advertised for a girl singer. A girl did\u00a0indeed apply, failed the audition but evidently made an impression as Derek and Christine\u00a0married in 1977.<\/p>\n<p>Largely self-taught in the days before summer schools and workshops, he developed a very\u00a0personal and versatile style and a formidable repertoire, honed in the informal conservatoire of\u00a0Sandy Bell\u2019s bar, as well as visits to the Glasgow-Donegal fiddler Jimmy McHugh and playing\u00a0with the Edinburgh Highland Reel and Strathspey Society and the Edinburgh Shetland fiddlers.\u00a0At the beginning of the 1980s, he joined the ranks of Jock Tamson\u2019s Bairns, playing on their\u00a0second album, The Lasses Fashion, as the band established a reputation for an authentic yet\u00a0individualistic approach to Scottish music that lasted long after they dispersed in 1983. They\u00a0reconvened, to widespread delight, in the late 1990s, recording two more albums.\u00a0Known to his fellow musicians by his school nickname of \u201cHappy\u201d, supposedly due to his long\u00a0face, Hoy played in radio and stage productions with broadcaster Billy Kay, including\u00a0Fergusson\u2019s Auld Reekie, and also in the music-theatre productions of Mike Maran, including\u00a0the Neil Gunn-inspired Atom of Delight, from which Hoy\u2019s winsome title tune has taken on a\u00a0life of its own. He was also a stalwart of Bella McNab\u2019s Dance Band and a long-standing teacher\u00a0with the Adult Learning Project, now the Scots Music Group.His colleague in the Bairns, singer Rod Paterson, regards Hoy as a one-off: \u201cWith Happy, every\u00a0time his bow went near the strings, you got what kind of man he was.\u201d Another Bairns\u00a0member, John Croall, recalls a memorable millennium gig at Disneyland Florida, where they\u00a0were the only adults unaccompanied by children, \u201cso Happy suggested we go watch the\u00a0banjo playing bears \u2013 we thought they were very good and showed potential\u201d.<\/p>\n<p>Hoy used his IT skills to set up the online audio archive RareTunes, in collaboration with friend\u00a0and fellow-musician Stuart Eydmann, and also set up websites for the Scots Music Group.<\/p>\n<p>The\u00a0Hoys\u2019 Portobello home was a hospitable one, hosting many a ceilidh and house concert. Derek\u00a0took immense pride in the achievements of his immediate and extended family, not least his\u00a0two daughters, Jenny and Sarah, both musicians and teachers. His father-in-law is former\u00a0athlete and And, of course, Derek followed with immense pride the exploits of his fast pedalling\u00a0nephew, Sir Chris Hoy. While feeling the first effects of what would be diagnosed as\u00a0an aggressive brain tumour, he was with the ecstatic family in London to witness Chris\u2019s\u00a0historic triumph on 7 August. His brother David, Chris\u2019s father, recalls: \u201cMy last proper and\u00a0happy memory of Derek is of him standing with a glass of champagne in his hand at around\u00a0midnight, after Chris won his sixth Olympic gold in the keirin. He had\u00a0a broad smile on his face, a tear in both eyes and, as we hugged, he just kept saying, \u2018What a\u00a0wonderful day.\u2019\u201d<\/p>\n<p>He died peacefully, at home, nursed by his family and their support, reflecting the care which\u00a0he gave his parents during their last days, and which he extended to countless others through his\u00a0work. By tragic coincidence, his fellow Bairns fiddler, Ian Hardie, had succumbed to a brain\u00a0tumour a month earlier. From this writer\u2019s point of view, that of a near-neighbour and friend,\u00a0Hogmanays can never be quite the same. Derek was inevitably the last man to leave our house,\u00a0in the small hours of the new year, when there would be a ritual dram and he\u2019d give us a last,\u00a0sweet air on his fiddle. He leaves a rare note indeed, still hanging in the air.<\/p>\n<p><\/div><\/div><!-- end div.wp-tab-content --><\/p>\n<p><h3 class=\"wp-tab-title\"> Photographs<\/h3> <div class=\"wp-tab-content\"><div class=\"wp-tab-content-wrapper\"><\/p>\n<p><img decoding=\"async\" class=\"ngg_displayed_gallery mceItem\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/nextgen-attach_to_post\/preview\/id--472\" alt=\"\" \/><\/p>\n<p><\/div><\/div><!-- end div.wp-tab-content --><\/p>\n<p><h3 class=\"wp-tab-title\"> Discography<\/h3> <div class=\"wp-tab-content\"><div class=\"wp-tab-content-wrapper\"><\/p>\n<p><iframe title=\"Spotify Embed: Derek Hoy\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/0pXEG8NNDGIExBqNTkKkrp?utm_source=oembed\"><\/iframe><\/p>\n<p><\/div><\/div><!-- end div.wp-tab-content --><\/p>\n<p><h3 class=\"wp-tab-title\"> Archival Recordings<\/h3> <div class=\"wp-tab-content\"><div class=\"wp-tab-content-wrapper\"><\/p>\n<p><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2013\/08\/Shetland-1970s-4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-129\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2013\/08\/Shetland-1970s-4.jpg\" alt=\"Shetland 1970s-4\" width=\"2753\" height=\"1890\" srcset=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2013\/08\/Shetland-1970s-4.jpg 2048w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2013\/08\/Shetland-1970s-4-300x205.jpg 300w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2013\/08\/Shetland-1970s-4-1024x703.jpg 1024w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2013\/08\/Shetland-1970s-4-600x411.jpg 600w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2013\/08\/Shetland-1970s-4-436x300.jpg 436w\" sizes=\"auto, (max-width: 2753px) 100vw, 2753px\" \/><\/a>\u00a0Willie Johnston, Edinburgh Shetland Fiddlers, early 1970s (Christine Hoy)<\/p>\n<p><strong>Ben Nevis Hiking Song<\/strong>\u00a0<strong>(march)<\/strong> The air to a song composed by Shetland and Edinburgh fiddler Willie Johnston in the 1970s during a trip by a party of fiddlers from Edinburgh Shetland Fiddlers to climb Ben Nevis. Recorded on compact cassette by Stuart Eydmann, Edinburgh,1994.\u00a0Revival003.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival003.Hoy_.Hiking-March.mp3?_=1\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival003.Hoy_.Hiking-March.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival003.Hoy_.Hiking-March.mp3<\/a><\/audio><\/p>\n<p><strong>Unidentified\u00a0(air)\u00a0<\/strong>Recorded on compact cassette by Stuart Eydmann, Edinburgh,1994.\u00a0Revival006.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival006.Hoy_.Air_.mp3?_=2\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival006.Hoy_.Air_.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival006.Hoy_.Air_.mp3<\/a><\/audio><\/p>\n<p><strong>Unidentified\u00a0(air)\u00a0<\/strong>Recorded on compact cassette by Stuart Eydmann, Edinburgh,1994.\u00a0Revival007.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival007.Hoy_.Air_.mp3?_=3\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival007.Hoy_.Air_.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival007.Hoy_.Air_.mp3<\/a><\/audio><\/p>\n<p><strong>Unidentified\u00a0(march)\u00a0<\/strong>Recorded on compact cassette by Stuart Eydmann, Edinburgh,1994.\u00a0Revival008.Hoy.<\/p>\n<p><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Screenshot-2014-01-27-20.25.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-570\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Screenshot-2014-01-27-20.25.jpg\" alt=\"Screenshot 2014-01-27 20.25\" width=\"637\" height=\"473\" srcset=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Screenshot-2014-01-27-20.25.jpg 637w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Screenshot-2014-01-27-20.25-300x222.jpg 300w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Screenshot-2014-01-27-20.25-600x445.jpg 600w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Screenshot-2014-01-27-20.25-404x300.jpg 404w\" sizes=\"auto, (max-width: 637px) 100vw, 637px\" \/><\/a><\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival008.Hoy_.March_.mp3?_=4\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival008.Hoy_.March_.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival008.Hoy_.March_.mp3<\/a><\/audio><\/p>\n<p><strong>Unidentified\u00a0(march)\u00a0<\/strong>Recorded on compact cassette by Stuart Eydmann, Edinburgh,1994.\u00a0Revival009.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival009.Hoy_.March_.mp3?_=5\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival009.Hoy_.March_.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival009.Hoy_.March_.mp3<\/a><\/audio><\/p>\n<p><strong>Marquis of Tullibardine\u00a0(reel)\u00a0<\/strong>Recorded on compact cassette by Stuart Eydmann, Edinburgh,1994.\u00a0Revival010.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival010.Hoy_.Tullibardine.mp3?_=6\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival010.Hoy_.Tullibardine.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival010.Hoy_.Tullibardine.mp3<\/a><\/audio><\/p>\n<p><strong>Not a Swan on the Lake\u00a0(air) <\/strong>Bagpipe slow air. An example of Ceol Meadhonach.\u00a0Recorded on compact cassette by Stuart Eydmann, Edinburgh,1994.\u00a0Revival011.Hoy.<\/p>\n<p><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Screenshot-2014-01-27-20.27.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-571\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Screenshot-2014-01-27-20.27.jpg\" alt=\"Screenshot 2014-01-27 20.27\" width=\"638\" height=\"474\" srcset=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Screenshot-2014-01-27-20.27.jpg 638w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Screenshot-2014-01-27-20.27-300x222.jpg 300w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Screenshot-2014-01-27-20.27-600x445.jpg 600w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Screenshot-2014-01-27-20.27-403x300.jpg 403w\" sizes=\"auto, (max-width: 638px) 100vw, 638px\" \/><\/a><\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival.012.Hoy_.Reel_.mp3?_=7\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival.012.Hoy_.Reel_.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival.012.Hoy_.Reel_.mp3<\/a><\/audio><\/p>\n<p><strong>Unidentified\u00a0(reel)\u00a0<\/strong>Recorded on compact cassette by Stuart Eydmann, Edinburgh,1994.\u00a0Revival012.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-8\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival.011.Hoy_.NotaSwan.mp3?_=8\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival.011.Hoy_.NotaSwan.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival.011.Hoy_.NotaSwan.mp3<\/a><\/audio><\/p>\n<p><strong>Unidentified\u00a0(reel)\u00a0<\/strong>Recorded on compact cassette by Stuart Eydmann, Edinburgh,1994.\u00a0Revival013.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-9\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival.013.Hoy_.Reel_.mp3?_=9\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival.013.Hoy_.Reel_.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival.013.Hoy_.Reel_.mp3<\/a><\/audio><\/p>\n<p><strong>Unidentified\u00a0(reel)\u00a0<\/strong>Recorded on compact cassette by Stuart Eydmann, Edinburgh,1994.\u00a0Revival014.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-10\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival014.Hoy_.Reel_.mp3?_=10\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival014.Hoy_.Reel_.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival014.Hoy_.Reel_.mp3<\/a><\/audio><\/p>\n<p><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Derek-Newcastleton-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-598\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Derek-Newcastleton-2.jpg\" alt=\"Derek-Newcastleton-2\" width=\"567\" height=\"423\" srcset=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Derek-Newcastleton-2.jpg 567w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Derek-Newcastleton-2-300x223.jpg 300w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Derek-Newcastleton-2-402x300.jpg 402w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/a>\u00a0Derek Hoy and Freddy Thomson, Newcastleton, 1970s (Christine Hoy)<\/p>\n<p><strong>Unidentified\u00a0(reel)\u00a0<\/strong>Recorded on compact cassette by Stuart Eydmann, Edinburgh,1994.\u00a0Revival015.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-11\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival015.Hoy_.Reel_.mp3?_=11\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival015.Hoy_.Reel_.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival015.Hoy_.Reel_.mp3<\/a><\/audio><\/p>\n<p><strong>Unidentified\u00a0(reel)\u00a0<\/strong>Recorded on compact cassette by Stuart Eydmann, Edinburgh,1994.\u00a0Revival016.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-12\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival016.Hoy_.Reel_.mp3?_=12\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival016.Hoy_.Reel_.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival016.Hoy_.Reel_.mp3<\/a><\/audio><\/p>\n<p><strong>Unidentified\u00a0(strathspey)\u00a0<\/strong>Recorded on compact cassette by Stuart Eydmann, Edinburgh,1994.\u00a0Revival017.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-13\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival017.Hoy_.Strathspey.mp3?_=13\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival017.Hoy_.Strathspey.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival017.Hoy_.Strathspey.mp3<\/a><\/audio><\/p>\n<p><strong>Unidentified\u00a0(strathspey)\u00a0<\/strong>Recorded on compact cassette by Stuart Eydmann, Edinburgh,1994.\u00a0Revival018.Hoy.<\/p>\n<p><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Derek-Newcastleton-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-597\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Derek-Newcastleton-1.jpg\" alt=\"Derek-Newcastleton-1\" width=\"567\" height=\"423\" srcset=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Derek-Newcastleton-1.jpg 567w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Derek-Newcastleton-1-300x223.jpg 300w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Derek-Newcastleton-1-402x300.jpg 402w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/a>\u00a0Freddy Thomson, Derek Hoy and Tom Hughes, Newcastleton, 1970s (Christine Hoy)<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-14\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival018.Hoy_.Strathspey.mp3?_=14\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival018.Hoy_.Strathspey.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival018.Hoy_.Strathspey.mp3<\/a><\/audio><\/p>\n<p><strong>Unidentified\u00a0(strathspey)\u00a0<\/strong>Recorded on compact cassette by Stuart Eydmann, Edinburgh,1994.\u00a0Revival019.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-15\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival019.Hoy_.Strathspey.mp3?_=15\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival019.Hoy_.Strathspey.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival019.Hoy_.Strathspey.mp3<\/a><\/audio><\/p>\n<p><strong>Unidentified\u00a0(strathspey)\u00a0<\/strong>Recorded on compact cassette by Stuart Eydmann, Edinburgh,1994.\u00a0Revival020.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-16\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival20.Hoy_.Strathspey.mp3?_=16\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival20.Hoy_.Strathspey.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival20.Hoy_.Strathspey.mp3<\/a><\/audio><\/p>\n<p><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2015\/03\/Old-Man-Hoy.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1106\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2015\/03\/Old-Man-Hoy.jpg\" alt=\"Old-Man-Hoy\" width=\"709\" height=\"485\" srcset=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2015\/03\/Old-Man-Hoy.jpg 709w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2015\/03\/Old-Man-Hoy-300x205.jpg 300w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2015\/03\/Old-Man-Hoy-600x410.jpg 600w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2015\/03\/Old-Man-Hoy-438x300.jpg 438w\" sizes=\"auto, (max-width: 709px) 100vw, 709px\" \/><\/a>\u00a0Manuscript, Old Man Hoy, 27 Februart 1994 (Stuart Eydmann)<\/p>\n<p><strong>The Old Man Hoy (strathspey and reel)<\/strong>\u00a0From a house session with Stuart Eydmann (fiddle) and Tony Cuffe (guitar). The tune was written as a birthday present for Derek. Recorded on compact cassette by Stuart Eydmann, Edinburgh, c.1995.\u00a0Revival001.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-17\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival001.Hoy_.Old-Man.mp3?_=17\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival001.Hoy_.Old-Man.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival001.Hoy_.Old-Man.mp3<\/a><\/audio><\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-594\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Jimmy-McHugh.jpg\" alt=\"Jimmy-McHugh\" width=\"567\" height=\"423\" srcset=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Jimmy-McHugh.jpg 567w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Jimmy-McHugh-300x223.jpg 300w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Jimmy-McHugh-402x300.jpg 402w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/>\u00a0<\/strong>Jimmy McHugh, Newcastleton, 1970s (Christine Hoy)<\/p>\n<p><strong>Irish Reel (reel)<\/strong>\u00a0From a\u00a0house session\u00a0with Tony Cuffe (guitar). Derek was very interested in Irish fiddling and, like many others of the revival, learned much in the company of All-Ireland Champion fiddler Jimmy McHugh who lived in Glasgow.\u00a0Recorded on compact cassette by Stuart Eydmann, Edinburgh, c.1995.\u00a0Revival002.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-18\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival002.Hoy_.Irish-Reel.mp3?_=18\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival002.Hoy_.Irish-Reel.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival002.Hoy_.Irish-Reel.mp3<\/a><\/audio><\/p>\n<p><strong>Unidentified\u00a0Air (song air)<\/strong>\u00a0From a house session with Tony Cuffe (guitar). Tony was unfamiliar with this tune, hearing it for the first time.\u00a0Recorded on compact cassette by Stuart Eydmann, Edinburgh, c.1995.\u00a0Revival004.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-19\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival004.Hoy_.Air_.mp3?_=19\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival004.Hoy_.Air_.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival004.Hoy_.Air_.mp3<\/a><\/audio><\/p>\n<p><strong>Pipe Marches (retreat marches)<\/strong>\u00a0Revival021.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-20\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival021.Hoy_.PipeMarches1999.mp3?_=20\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival021.Hoy_.PipeMarches1999.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival021.Hoy_.PipeMarches1999.mp3<\/a><\/audio><\/p>\n<p><strong>Niel Gow&#8217;s Lament for the Death of his Second Wife (air)<\/strong>\u00a0Revival022.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-21\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival022.Hoy_.GowLament.mp3?_=21\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival022.Hoy_.GowLament.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival022.Hoy_.GowLament.mp3<\/a><\/audio><\/p>\n<p><strong>Swedish Air (air)<\/strong>\u00a0Revival023.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-22\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival023.Hoy_.SwedishAir.mp3?_=22\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival023.Hoy_.SwedishAir.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival023.Hoy_.SwedishAir.mp3<\/a><\/audio><\/p>\n<p><strong>Irish Air (air)<\/strong>\u00a0Revival024.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-23\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival024.Hoy_.IrishAir.mp3?_=23\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival024.Hoy_.IrishAir.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival024.Hoy_.IrishAir.mp3<\/a><\/audio><\/p>\n<p><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Newcastleton-pair.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-595\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Newcastleton-pair.jpg\" alt=\"Newcastleton-pair\" width=\"567\" height=\"415\" srcset=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Newcastleton-pair.jpg 567w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Newcastleton-pair-300x219.jpg 300w, http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/02\/Newcastleton-pair-409x300.jpg 409w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/a>\u00a0Unidentified and Tom Hughes listening to Derek, Newcastleton, 1970s (Christine Hoy)<\/p>\n<p><strong>Tunes from the Flowers of Edinburgh Family (reels)<\/strong>\u00a0Revival025.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-24\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival025.Hoy_.FoEdFamily.mp3?_=24\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival025.Hoy_.FoEdFamily.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival025.Hoy_.FoEdFamily.mp3<\/a><\/audio><\/p>\n<p><strong>The Seagull \/ Paddy&#8217;s Leather Breeches (bagpipe jigs)<\/strong>\u00a0Revival026.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-25\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival026.Hoy_.PipeJigs.mp3?_=25\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival026.Hoy_.PipeJigs.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival026.Hoy_.PipeJigs.mp3<\/a><\/audio><\/p>\n<p><strong>Clean Pease Strae \/ Flowers of Edinburgh (reels)<\/strong> Revival027.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-26\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival027.Hoy_.CleanPease.mp3?_=26\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival027.Hoy_.CleanPease.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival027.Hoy_.CleanPease.mp3<\/a><\/audio><\/p>\n<p><strong>An thou were my ain thing (air)<\/strong> A song air from a recording supplied by Derek. This may have been made at a rehearsal\u00a0for a Jock Tamson&#8217;s bairns recording session. Revival005.Hoy.<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-48-27\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival005.Hoy_.MyAinThing.mp3?_=27\" \/><a href=\"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival005.Hoy_.MyAinThing.mp3\">http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/files\/2014\/12\/Revival005.Hoy_.MyAinThing.mp3<\/a><\/audio><\/p>\n<p><\/div><\/div><!-- end div.wp-tab-content --><\/p>\n<p><h3 class=\"wp-tab-title\"> Other media<\/h3> <div class=\"wp-tab-content\"><div class=\"wp-tab-content-wrapper\"><\/p>\n<p>Derek plays on stage at the Fiddle 2008 festival in Edinburgh, November 2008 along with his daughter Sarah Hoy. They are joined by bellows piper Fin Moore.<\/p>\n<p><iframe loading=\"lazy\" title=\"Derek and Sarah Hoy\" src=\"https:\/\/player.vimeo.com\/video\/121302420?dnt=1&amp;app_id=122963\" width=\"480\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/p>\n<p><\/div><\/div><!-- end div.wp-tab-content --><\/p>\n<p><h3 class=\"wp-tab-title\"> Music<\/h3> <div class=\"wp-tab-content\"><div class=\"wp-tab-content-wrapper\">Compositions, transcriptions etc.<\/div><\/div><!-- end div.wp-tab-content --><\/p>\n<p><h3 class=\"wp-tab-title\"> Documents<\/h3> <div class=\"wp-tab-content\"><div class=\"wp-tab-content-wrapper\">Texts<\/div><\/div><!-- end div.wp-tab-content --><\/p>\n<p><h3 class=\"wp-tab-title\"> References<\/h3> <div class=\"wp-tab-content\"><div class=\"wp-tab-content-wrapper\"><\/p>\n<p>Derek performed extensively in radio and television productions, particularly those produced by Billy Kay. The BBC Genome Project indicates the following programmes:<\/p>\n<p><strong>25 April\u00a01982\u00a022.15<\/strong><\/p>\n<p><strong>Odyssey: Poets and Pioneers<\/strong><\/p>\n<p>&#8216; Ach lean Sinn am fasan &#8216;bha againn &#8216;bho thus\u00a0(But we followed our old customs nevertheless)\u00a0(JOHN MACLEAN , Balephuil and Brandon)\u00a0In the 19th century, hundreds of families left the Hebridean island of Tiree for new homes In Canada. Traditions among their descendants, music and poetry describe the process of adaptation and the survival of the old culture and values in the emigrant communities.<\/p>\n<p>Compiled by &#8211; MARGARET A. MACKAY<br \/>\nReaders FLORA MACPAIL and DONALD MEEK<br \/>\nSingers DONALD SINCLAIR HECTOR KENNEDY<br \/>\nALISTAIR MACNEILL<br \/>\nFiddles\u00a0DEREK\u00a0hoy\u00a0and HUGH LAMONT<br \/>\nProducer BILLY KAY (first broadcast on Radio Scotland)<\/p>\n<p><strong>\u00a012 June\u00a01982\u00a022.15<\/strong><\/p>\n<p><strong>Odyssey:Poets and Pioneers<\/strong><\/p>\n<p>&#8216; Ach lean sinn am fasan &#8216;bha againn &#8216;bho thus &#8216;\u00a0(But we followed our old customs nevertheless)\u00a0(JOHN MACLEAN , Balephull and Brandon)\u00a0In the 19th century hundreds of families left the Hebridean island of Tiree for new homes in Canada. Traditions among their descendants, music and poetry describe the process of adaptation and the survival of the old culture and values in the emigrant communities.<\/p>\n<p>Compiled by Margaret A. Mackay<br \/>\nReaders FLORA MACPHAIL and DONALD MEEK<br \/>\nSingers DONALD SINCLAIR , HECTOR KENNEDY and AUSTAIR MACNEILL<br \/>\nFiddles\u00a0DEREK\u00a0HOY\u00a0and HUGH LAMONT<br \/>\nProducer BILLY KAY (First broadcast on Radio Scotland)<br \/>\n(Postponed from 25 April)<\/p>\n<p><strong>\u00a021 November\u00a01984\u00a019.00<\/strong><\/p>\n<p><strong>Magnificat<\/strong><\/p>\n<p>By TREVOR ROYLE<br \/>\nA dramatised impression of the thought and writing of James Kennaway , drawn from his novels, notebooks and letters. with &#8216;I had to blaze in every direction, right or wrong, so I wouldn&#8217;t sink with too much left undone, too much never tried, too many sensations missed.&#8217;<br \/>\nFiddle played by\u00a0DEREK\u00a0HOY\u00a0Piper TOM Speirs<br \/>\nDirected by PATRICK RAYNER BBC Scotland<\/p>\n<p><strong>21 July\u00a01985\u00a018.30<\/strong><\/p>\n<p><strong>Magnificat<\/strong><\/p>\n<p>By TREVOR ROYLE<br \/>\nA dramatised impression of the thought and writing of James Kennaway , drawn from his novels, notebooks and letters.<br \/>\nFiddle played by\u00a0DEREK\u00a0HOY\u00a0Piper TOM SPEIRS<br \/>\nDirected by PATRICK RAYNER BBC Scotland<\/p>\n<p><strong>27 July\u00a01986\u00a04.30<\/strong><\/p>\n<p><strong>The Scots Tongue<\/strong><\/p>\n<p>Six documentaries about the language of lowland Scotland, written and presented by BILLY KAY<br \/>\n1: The Border Ground The links between the Borders&#8217; dialects today and the origins of the national language Musicians TONY CUFFE\u00a0DEREK\u00a0HOY\u00a0and BILLY JACKSON Producer BRUCE YOUNG (First broadcast on BBC Radio Scotland)<\/p>\n<p><strong>3 August\u00a01986\u00a04.30<\/strong><\/p>\n<p><strong>The Scots Tongue<\/strong><\/p>\n<p>A series of six documentaries written and presented by BILLY KAY<br \/>\n2: Makars to Miners The speech of Fife miners has its roots in languages brought to this country before the flowering of Scotland&#8217;s court poets in the 15th century. Readers PETER RAFFAN. JOHNSHEDDEN Musicians TONY CUFFE,\u00a0DEREK\u00a0HOY\u00a0and BILLY JACKSON Producer BRUCE YOUNG (First broadcast on BBC Radio Scotland)<\/p>\n<p><strong>\u00a010 August\u00a01986\u00a04.30<\/strong><\/p>\n<p><strong>The Scots Tongue<\/strong><\/p>\n<p>Written and presented by BILLY KAY\u00a03: The Buchan Heartland Readers PETER RAFFAN , JOHN SHEDDEN and GERDA STEVENSON Musicians TONY CUFFE, DEREK\u00a0HOY\u00a0and BILLY JACKSON Producer BRUCE YOUNG (First broadcast on BBC Radio Scotland)<\/p>\n<p><strong>\u00a024 August\u00a01986\u00a04.30<\/strong><\/p>\n<p><strong>The Scots Tongue<\/strong><\/p>\n<p>A series of six documentaries about the language of lowland Scotland, written and presented by BILLY KAY\u00a05: Split-tongued Sourocks Readers PETER RAFFAN JOHN SHEDDEN , GERDA STEVENSON Musicians TONY CUFFE,\u00a0DEREK HOY\u00a0and BILLY JACKSON Producer BRUCE YOUNG (First broadcast on BBC Radio Scotland)<\/p>\n<p><strong>\u00a031 August\u00a01986\u00a04.30<\/strong><\/p>\n<p><strong>The Scots Tongue<\/strong><\/p>\n<p>The last in the series written and presented by BILLY KAY Freedom Come All Ye? City dialects are often despised. Can MacDiarmid&#8217;s &#8216;plastic&#8217; Scots, and the old, rural dialects come to terms with urban speech in the 1980s? Readers PETER RAFFAN , JOHN SHEDDEN and GERDA STEVENSON Musicians TONY CUFFE,\u00a0DEREK\u00a0HOY\u00a0and BILLY JACKSON Producer BRUCE YOUNG (First broadcast on BBC Radio Scotland)<\/p>\n<p>&nbsp;<\/p>\n<p><\/div><\/div><!-- end div.wp-tab-content --><\/p>\n<p><h3 class=\"wp-tab-title\"> Memories<\/h3> <div class=\"wp-tab-content\"><div class=\"wp-tab-content-wrapper\"><\/p>\n<p>Derek was one of my fiddle tutors when I attended the Scots Music Group. I will never forget his wry sense of humour and the fantastic tunes he taught us; even though I will probably never know their real names as Derek often made up his own names for them. His teaching sessions were often peppered with humorous stories of his week; such as the time his glasses were blown off his face and landed in a bush, while walking Sarah to school. After moving on from SMG I studied towards a Masters in Professional Education at Queen Margaret University. I too am a nurse, and while doing a literature search for e-learning came upon a study carried out by Derek; as I remember it involved a virtual patient called George (this was a couple of years ago so I may have misremembered the name). While academically sound I could also imagine the fun Derek would have had in carrying out this piece of work and the humour he would have brought to it. I will remember him as a brilliant, unassuming and very funny man. I often think of him now when teaching and, although I had not seen him for a number of years, he continues to be an inspiration and role model to me. <strong>Karen Matthews<\/strong><\/p>\n<p>I have been recalling the day I spent with him in the studio in Edinburgh, when we recorded fiddle parts for some of the tracks Tony Cuffe had recorded before he died. And incredible house sessions with the music and the wine flowing and all our hearts lifted by the tunes.\u00a0<strong>Laurel Martin, Boston, USA<\/strong><\/p>\n<p>He will be remembered in the folk world as a wonderful, tender and passionate fiddler in Jock Tamsons Bairns, and Bella Mc Nabs. The music sessions he hosted at home with his family were a true joy! A full creative life and a quiet, funny, loving, giant of a man.\u00a0<strong>Stan Reeves<\/strong><\/p>\n<p>Derek was an early inspiration to me, back in Bells in the early 70s when, as a Banjo rattler, I took up the Fiddle. My own favourite Scottish Fiddle player, for nearly 40 years, his Bowing style alone has always been the inspiration for my own bow arm. The last time I played music with him was in the Harbour Bar, Portrush, Co Antrim, when he came over here to Derry on business, but of course, he had the Fiddle with him. <strong>Dick Glasgow<\/strong><\/p>\n<p>My favourite memory of Derek is the day that I met him, shortly after I landed in Edinburgh in 1996. \u00a0Having been introduced to the brilliant music of Jock Tamson\u2019s Bairns by Duncan Moore, I was amazed when Kenny Fraser \u2013 with whom I was about to have a wee afternoon tune and pint in the back of Sandy Bell\u2019s \u2013 suggested that we just phone him up and see if he was free. \u00a0Well, Derek came down and we had a brilliant wee tune, just the three of us. \u00a0His modesty, friendliness, sense of humour and musicality impressed me so much. \u00a0Whether or not it was a long session I can\u2019t remember, because it seemed to pass in the blink of an eye. \u00a0But it is one of my most treasured musical memories. A lot of musicians spend all their time thinking about the dots \u2013 putting all of their weight into them and trying to impress people with their technicality, speed, inventiveness or whatever. \u00a0I think that Derek thought more than most musicians about the space between the dots. \u00a0He was unhurried, lyrical and complete. \u00a0I didn\u2019t know him very well as a person, but I think that these same traits were there in his personal life as well. \u00a0They are certainly there in Sarah, who is one of my favourite people.\u00a0<strong>Will Lamb<\/strong><\/p>\n<p><strong>Stuart Eydmann<\/strong> delivered this tribute and recollection at Derek&#8217;s funeral on 17 November 2012:<\/p>\n<p>I would like to suggest that the quality which made Derek so successful with learners, popular at informal\u00a0sessions, sought out for recordings, literary and theatrical projects and, of course, saw him as a core member of\u00a0bands such as the Bairns and the Bellas was the supremely \u2018sympathetic\u2019 approach he took in every aspect of his\u00a0art.\u00a0Now, I suspect \u2018sympathetic\u2019 is not a word commonly applied to individual musicality and by it I don\u2019t just\u00a0mean the common sense of entering into another&#8217;s feelings or thoughts nor the expression of emotional\u00a0support and compassion, like we are all sharing today, but something more, musical as well as extra-musical.<\/p>\n<p>It is to do with affinity or correlation whereby one thing or person responds to the action of another &#8211; about\u00a0inter-personal resonance, just as a plucked string can induce sympathetic vibrations in another instrument\u00a0across the room.\u00a0Truly sympathetic musicians like Derek are rare. However, play with one and they immediately bring out the\u00a0best in you and, in return, they pick up and respond to your signals to bring out the best in their playing too.\u00a0Music therefore becomes a virtuous circle which is more like a conversation than a performance and where\u00a0there is little room for ego.<\/p>\n<p>The sympathetic musician has a sensitivity to the musical material and an ability to recognise and unlock the\u00a0intrinsic poetry inherent in the tunes. They borrow rather than take from tradition and pass on the music\u00a0enriched. Thus, in Derek\u2019s hands, old standards as well as long-ignored airs from dusty volumes, would be\u00a0nurtured and transplanted.\u00a0He could make great music, imbued with emotion and traditional sensibility from melodies dismissed by others\u00a0as too simple, trivial or old fashioned and the playing of the more technically complex tunes he made appear\u00a0easy.\u00a0His playing of military derived marches, for example, which by others might be given a blood and thunder\u00a0swagger, might be rendered at once both lyrical and poignant.<\/p>\n<p>Then there was his sympathy for setting and context. His ability to always play the right thing, in the right\u00a0place, in the right way and at the right time. This was demonstrated over and over again in Shetland, Ireland\u00a0and Scandinavia where he could speak the musical language without loosing his own.<\/p>\n<p>His was always music of someone totally at ease and comfortable with what it had to say, it was delivered with\u00a0quiet confidence, in an unhurried, under stated, non-competitive way, as if there was nothing to prove.\u00a0What he only half-jokingly termed his own \u2018Edinburgh style\u2019, was many miles away from the fashionable \u2018hey\u00a0look-at-me, in yer face, kick ass, foot stompin, I can play louder and faster, frantic fiddling\u2019 associated with a\u00a0different kind of personality and another time and place.<\/p>\n<p>In his slow strathspeys and airs he was peerless and he made no excuses for playing them.<\/p>\n<p>\u201cWe all need a bit gravity to bring us down to earth!\u201d\u00a0\u2026he once said.<\/p>\n<p>Reflecting on Derek these past few days I remembered and dug out an old cassette tape recording I made when\u00a0he came on a visit to our house many years, indeed decades, ago.<\/p>\n<p>Our families had gone out for the afternoon leaving us to our own devices and, bribing him with some fine\u00a0Italian red, I persuaded him to play some tunes in the forlorn hope that by recording them I might learn some.<\/p>\n<p>Listening to the music on that old tape tape and remembering the scene it was the slow tunes which struck me\u00a0most. That afternoon he became totally engrossed in the music and as the wine and tunes went down then so\u00a0did the sun. In time, a slightly tipsy Derek had moved onto playing his favourite slow airs, one after the other,\u00a0in a kind of Scottish evening raga, each piece marked by his special lonesome touch.<\/p>\n<p>The trance was broken only when our families returned and found us sitting in the fading light, too busy to\u00a0have put on the lamp, while outside the window was one of those rare dramatic crimson sunsets that\u00a0occasionally blesses the west of Edinburgh in winter.<\/p>\n<p>Remembering that balance of music, time and light brought also to mind the words of the French poet\u00a0Baudelaire:<\/p>\n<p>This is the time o day each trem\u2019lin flooer<br \/>\nWi\u2019 petalled incensee burns the gloamin air;<br \/>\nMinglin its sounds an smells, the gloamin hoor.<br \/>\nMaks tipsy tunes ye scent as well as hear!<\/p>\n<p>The petalled incense burns the gloamin air.<br \/>\nThe moanin fiddle, kissed bi her nervous wooer<br \/>\nMaks tipsy tunes ye scent as well as hear.<br \/>\nThe sky\u2019s a gret cathedral fur the poor.<\/p>\n<p>The moanin fiddle kissed by its nervous wooer,<br \/>\nA tender soul who loathes the night\u2019s black lair<br \/>\nThe sky\u2019s a gret cathedral fur the poor;<br \/>\nThe sun in martyred blood\u2019s a window there.<\/p>\n<p>A tender soul wha loathes the night\u2019s black lair,<br \/>\nMust clasp each ray o passin radiance tae \u2019er!<br \/>\nThe sun in martyred blood\u2019s a window there.<br \/>\nYour face recalled lights up my dyin hoor.<\/p>\n<p><em>Harmonie du soir<\/em> tanslated by Tom Scott as <em>Music o the gloamin hoor<\/em><\/p>\n<p>Derek Hoy your moanin fiddle\u2019s tipsy tunes ring on\u2026<br \/>\nWhere ere you bide, May you never, ever, lack a scone!<\/p>\n<p>&nbsp;<\/p>\n<p><\/div><\/div><!-- end div.wp-tab-content --><\/p>\n<p><h3 class=\"wp-tab-title\"> Discussion<\/h3> <div class=\"wp-tab-content\"><div class=\"wp-tab-content-wrapper\">Of the player&#8217;s music<\/div><\/div><!-- end div.wp-tab-content --><\/p>\n<p><\/div><!-- end div.wp-tabs -->\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h1><\/h1>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp;<\/p>\n","protected":false},"author":54,"featured_media":0,"parent":530,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"sidebar-page.php","meta":{"footnotes":""},"class_list":["post-48","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/wp-json\/wp\/v2\/pages\/48","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/wp-json\/wp\/v2\/users\/54"}],"replies":[{"embeddable":true,"href":"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/wp-json\/wp\/v2\/comments?post=48"}],"version-history":[{"count":2,"href":"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/wp-json\/wp\/v2\/pages\/48\/revisions"}],"predecessor-version":[{"id":1355,"href":"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/wp-json\/wp\/v2\/pages\/48\/revisions\/1355"}],"up":[{"embeddable":true,"href":"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/wp-json\/wp\/v2\/pages\/530"}],"wp:attachment":[{"href":"http:\/\/www.blogs.hss.ed.ac.uk\/revival-fiddle\/wp-json\/wp\/v2\/media?parent=48"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}