Publisher’s Description: What is the work that miracles do in American Charismatic Evangelicalism? How can miracles be unanticipated and yet worked for? And finally, what do miracles tell us about other kinds of Christianity and even the category of religion? A Diagram for Fire engages with these questions in a detailed sociocultural ethnographic study of the Vineyard, an American Evangelical movement that originated in Southern California. The Vineyard is known worldwide for its intense musical forms of worship and for advocating the belief that all Christians can perform biblical-style miracles. Examining the miracle as both a strength and a challenge to institutional cohesion and human planning, this book situates the miracle as a fundamentally social means of producing change—surprise and the unexpected used to reimagine and reconfigure the will. Jon Bialecki shows how this configuration of the miraculous shapes typical Pentecostal and Charismatic religious practices as well as music, reading, economic choices, and conservative and progressive political imaginaries.
Abstract: This article examines the political and public culture of Coptic Christian miracles through the circulation and reproduction of images and the mimetic entanglements of artifacts and objects. To understand the threat posed by one case of a woman’s oil-exuding hand, this study points to how semiotic orders of security and sacramentality intersect in the regulation of bodily miracles. It explores Coptic Orthodox Church and Egyptian state efforts to contain the activity of images and transform the public nature of truthful witness and divine testimony. In doing so, it suggests how the material structure of saintly imagination introduces bodily and visual challenges to an authoritarian politics of public order.
This article examines the performance practices of U.S. gospel magicians, evangelical Christians who convey religious messages with conjuring tricks. Emphatically denying that they possess supernatural powers and scrupulously avoiding effects that resemble biblical miracles, they take pains to present their tricks as unambiguously skillful performances intended to entertain, uplift, and instruct. When patterned on a Christian motif, otherwise self-referential magic tricks constitute a versatile signifying medium. Addressing the poetics of gospel magic in the setting of instructional workshops, this analysis explores a variety of ways performers utilize iconic resemblances between conjuring effects and Christian referents to produce complex and evocative expressions of faith. At the same time, they carefully manage signifiers of virtuosic agency that are intrinsic to the efficacy of gospel magic performance, but that also threaten to undermine their Christian message.
Coptic Orthodox Christians in Egypt make up roughly 10% of the Egyptian population. This brief essay concerns the ways in which they publicly confess their Christianity, the potential hazards of such confessions, and what I think such confessions communicate, and to whom. I focus on the Maspero Massacre, of October 9, 2011, when mostly Coptic protestors in front of the Maspero state television building in Cairo were mowed down by army Armored Personnel Carriers (APCs) and bullets. Twenty-eight civilians were killed that day.