Excerpt: This chapter traces the processes by which people confront and seek to address failures in their lives by looking at one specific material: holy water. The following analyses will consider several key questions for evaluating when things go wrong by specifically interrogating the processes of knowledge production when using materials to achieve desired effects. In particular, what is the relationship between the expectation of individuals seeking a radical change and the reality of that change failing to take place?
Abstract: This article examines three Catholic home shrines in a Dalit community in North Indian and argues that it is misleading to think that home shrines and other collections of material objects are somehow static conveyors of meaning. “Meaning” can mean many things or nothing at all, depending upon the terms we are using and the scholarly methods we deploy. The crucial aspect of Dalit Catholic home shrines is that they are literally open to interpretation and reinterpretation, to touching and being touched. Their significance—their meaning—depends not on decoding their structure or symbolic logic, but interacting with them as part of a larger network of human and material connections and interpenetrations.
Excerpt: Encountering the bustling West-African city of Accra is an intense sonic experience. The metropolis is alive with sounds. Everywhere music is in the air, pulsating from portable radios, car speakers, and open-air drinking spots. Taxis honk their way through traffic jams; street hawkers market their wares; markets and transport hubs are cacophonies of voices: talking, calling, shouting, hissing, bargaining, quarrelling, laughing, singing, preaching. Amidst the fullness of sounds in the city, religious sounds claim a prominent place, day and night. Roaming evangelists on street corners, markets and in buses try to persuade their audiences of the word of God with raucous voices or loudspeakers at full volume. Charismatic radio preachers and Ghanaian gospel hits enter urban space on the airwaves, while singing and praying voices of devout Christians escape private rooms and church buildings through open louver windows…This chapter explores how religious diversity is encountered and negotiated through the urban soundscape.
Abstract: Throughout the world there are over 200 sites that materialize the Bible, that is, sites that transform the written words of biblical scripture into physical, experiential attractions. These sites are definitively hybrid, integrating religion and entertainment, piety and play, fun and faith, commerce and devotion, pleasure and education. Religious studies scholars and anthropologists have published insightful works about selected sites, but no genre-wide analytical appraisal exists. In this article, I focus on how religiously committed visitors approach and experience these sites. Framed in a comparative register with research in religious tourism and pilgrimage studies, I propose analytical and methodological frameworks for the ethnographic study of Bible-based attractions.
Abstract: This article situates a cultural phenomenon of women’s memory work through clothing in Swaziland. It explores clothing as both action and object of everyday, personalized practice that constitutes psychosocial well-being and material proximities between the living and the dead, namely, in how clothing of the deceased is privately possessed and ritually manipulated by the bereaved. While human and spiritual self-other relations are produced through clothing and its material efficacy, current global ideologies of immaterial mortuary ritual associated with Pentecostalism have emerged as contraries to this local, intersubjective grief work. This article describes how such contrarian ideologies paper over existing global aspects of people’s entangled relations with the dead – in three biographies of women and their objects – thus showing that memory work is not limited to people, goods, or ideas that flow between nations and expanding notions of the global and gendered practices of personhood.
Abstract: This paper examines how Utah’s 1947 This Is The Place Monument functioned in two contradictory ways: First, it confirmed the Mormon narrative of their entry into the Salt Lake Valley as a mythic narrative about a chosen people entering into their promised land. Second, it reinforced Mormonism as one among many traditions participating in the civil religion of Utah and the American West. In its exploration of these contradictory impulses, the paper examines the intersections of historical memory and the creation of sacred space.
Abstract: This ethnographic article discusses funerary practice, Orthodox Christian ideas of body and spirit, and the ways in which people make memorials for each other on the Zege Peninsula in northwest Ethiopia. I pay special attention to gravestones because, here as in many other places, physical memorials to the dead become locations where latent uncertainties and conflicts about the relationship between spirit and matter, body and soul, and this world and the next, tend to crystallize. I show that material memorials highlight ambiguities in Orthodox attitudes to human embodiment and challenge priestly monopolies over relations between the living and the dead. Because of material chains of mediation and memorialization, the disaggregating practices of Orthodox funerary ritual can never fully untangle the deceased from their worldly social entanglements.
Abstract: How are objects used differently within different types of Protestantism? Proceeding from this question, this short anthropological essay takes as its ethnographic point of departure two apparently contrasting deployments of the Bible within contemporary Scotland, one as observed among Brethren and Presbyterian fisher-families in Gamrie, coastal Aberdeenshire, and the other as observed among the Orange Order, a Protestant marching fraternity, in Airdrie and Glasgow. By examining how and with what effects the Bible (as text and object) enters into and extends beyond the everyday practices of fishermen and Orangemen, I sketch some aspects of the material life of Scottish Protestantism that have hitherto been overlooked. The tendency to downplay the role of objects within Protestantism seems, in part, to be the result of an ideal-typical insistence that this religion—especially in Scotland and the Global North—remains transfixed by a thoroughly anti-material asceticism.1 This tacit assumption, which emerged within anthropology as the result of an overly hasty reading of Max Weber, continues to haunt ethnographic and theoretical framings of both Protestantism and modernity, either through their relative silence on the subject, or by treating (modern, Protestant) objects as somehow exceptional and novel.
Come and listen in to the radio station, Where the mighty hosts of heaven sing, Turn your radio on, turn your radio on, Turn your radio on, turn your radio on…
So sings John Hartford on his 1971 cover of the 1938 southern Gospel standard. It was this song, “Turn Your Radio On,” that I recalled in a progressively louder hum to myself throughout Anderson Blanton’s Hittin‘ the Prayer Bones. The reason is that Blanton’s ethnography of charismatic Christianity in Appalachia has a distinctly musical quality. Each chapter unveils further nodes in a network of oral traditions and communicative genres: songs from deep in the coal mines and songs for laying rail track; Gospel tunes; the verbal artistry of prayer, testimony, and preaching; hand claps and technological emanations; and rhythmic faith-filled laughter. Pages and sections introduce singular moments of rich cultural revelation, akin to John Jackson’s “slices” (2013: 16-17) more than any conventional mode of ethnographic writing. I do not hesitate to write that this is really not a book one simply reads; it is a book to experience… Continue reading →
Abstract: In this article, I show how conceptions of religious authority among Catholic Charismatics in Brazil relate to particular aesthetic regimes. By aesthetic regime I mean the processes of decision-making by which a particular economy of the visible is negotiated and situated, the underlying forces that constitute what is sensory apprehensible and what remains latent, one might say, unworlded. Focusing on the relation Catholic Charismatics have with the statue of Christ Redeemer standing at the Corcovado in Rio de Janeiro, the text engages with the material politics of this religious movement and the theological domains that undergird it.