Abstract: This article explores how the phenomenon of biblical gardens joins three bodies of scholarship: the social life of scriptures, the study of religion’s media turn, and religious pedagogy. As a kind of religious attraction, the biblical garden is both devotional and pedagogical, with historic roots in nineteenth-century projects to connect botanical science with biblical literacy. I argue that the pedagogy of biblical gardens is anchored by an ideology of sensual indexicality and a strategy of metonymic immersion, which is differentiated from themed immersion. Analyses are drawn from observational and textual data, as well as comparative data from other forms of Holy Land replication, primarily in the USA. Ultimately, I argue that biblical gardens resist a modern ideology that elevates visual experience atop a sensory hierarchy.
Publisher’s Description: Despite the fact that Christianity is understood to be thoroughly intertwined with matter, objects, and things, Christians struggle to cope with this materiality in their daily lives. This volume argues that the ambivalent relationships many Christians have with materiality is a driving force that contributes to the way people in different Christian traditions and in different parts of the world understand and live out their religion.
Introduction, Minna Opas & Anna Haapalainen (University of Turku, Finland)
Part 1: Doubting
1. Spirit Media and the Spectre of the Fake, Marleen de Witte (Unviersity of Amsterdam, the Netherlands)
2. Organic Faith in Amazonia: De-indexification, doubt and Christian corporeality, Minna Opas (University of Turku, Finland)
3. Things not for themselves: idolatry and consecration in Orthodox Ethiopia, Tom Boylston (University of Edinburgh)
Part 2: Sufficing
4. The Bible in the Digital Age: Negotiating the Limits of ‘Bibleness’ of Different Bible Media, Katja Rakow(Heidelberg University, Germany)
5. The Plausibility of Immersion: limits and creativity in materializing the Bible, James Bielo (Miami University, USA)
6.Humanizing the Bible: Limits of materiality in a passion play, Anna Haapalainen (University of Turku, Finland)
7. Semana Santa processions in Granada – Religion or Spectacle? Sari Kuuva (University of Jyväskylä, Finland)
8. The death and rebirth of a crucifix: Materiality and the sacred in Andean vernacular Catholicism, Diego Alonso Huerta (Pontificia Universidad Católica del Perú / University of Helsinki, Finland)
Part 3: Unbinding
9. Proving the Inner Word: (De)materializing the Spirit in Radical Pietism Elisa Heinämäki (University of Helsinki, Finland)
10. The Return of the Unclean Spirit: Collapse and Relapse in the Baptist rehab ministry Igor Mikeshin (University of Helsinki, Finland)
11. Mimesis and Mediation in the Semana Santa Processions of Granada, Sari Kuuva, University of Jyväskylä
Afterword: Diana Espirito Santo (London School of Economics, UK)
Christopher James Blythe, 2016. Emma’s Willow: Historical Anxiety, Mormon Pilgrimage and Nauvoo’s Mater Dolorosa, Material Religion 12: 405-432.
Abstract: Religious institutions establish collective identities through the production of a usable past, and thereby provide adherents with a sense of heritage. This article examines how this process functions in a Mormon pilgrimage site, Nauvoo, Illinois, where not one but two competing institutions, the Church of Jesus Christ of Latter-day Saints (LDS) and Community of Christ, have established alternative narratives of identity. I focus on the thousands of (almost exclusively) LDS pilgrims who visit the town each summer. I argue that the presence of multiple interpretations raises significant anxieties for many of these pilgrims. In an attempt to mediate these anxieties a vernacular religious site, a willow tree, is employed to point pilgrims to a Saint figure, Emma Smith, Joseph Smith Jr.’s widow, in order to fortify an alternative narrative existing outside of either official representation of Nauvoo’s past.
Abstract: This article explores how religious communities actualize the virtual problem of temporality. Analysing two case studies from contemporary America, Mormon Trek re-enactment and a creationist theme park re-creating Noah’s ark, I argue that replication is a strategy for constructing a relationship with time in which a strict past–present divide is collapsed through affective means. This work contributes to comparative studies in the anthropology of religion and temporalizing the past.
Abstract: Throughout the world there are over 200 sites that materialize the Bible, that is, sites that transform the written words of biblical scripture into physical, experiential attractions. These sites are definitively hybrid, integrating religion and entertainment, piety and play, fun and faith, commerce and devotion, pleasure and education. Religious studies scholars and anthropologists have published insightful works about selected sites, but no genre-wide analytical appraisal exists. In this article, I focus on how religiously committed visitors approach and experience these sites. Framed in a comparative register with research in religious tourism and pilgrimage studies, I propose analytical and methodological frameworks for the ethnographic study of Bible-based attractions.
Abstract: James S. Bielo analyzes a practice of religious replication: re-creations of Holy Land sites in the United States. Such replications invite visitors into an experience of sensorial and imaginative immersion, marshaling indexical techniques for materializing the Bible. Replicating the Holy Land is a strategy for actualizing the virtual problem of authenticity, a problem that animates any and every lived expression of Christianity. To explore this phenomenon, we indulge another national tradition: the great American road trip. This essay emerges from a larger project, Materializing the Bible, curated by Bielo.
Mesaritou, Evgenia. 2015. ‘He is among us, get it into your head, he is alive and always here’: saintly presence at the pilgrimage centre of Padre Pio and the importance of ‘being there’ Culture and Religion: An Interdisciplinary Journal. DOI: 10.1080/14755610.2015.1019896
Abstract: The paper will focus upon the issue of saintly presence and the ways in which this is felt, experienced and enacted at the pilgrimage centre of Padre Pio. This issue will be examined in relation to the material and spatial structures of the pilgrimage centre and in particular the Sanctuary of Santa Maria delle Grazie, at the crypt of which the tomb of Padre Pio was until recently emplaced. In examining the issue of saintly presence in relation to the sanctuary’s materiality, the paper will also explore the relationship of two of the dimensions Eade and Sallnow ( 2000, ‘Introduction’, in Contesting the Sacred: The Anthropology of Christian Pilgrimage., 2nd ed., edited by John Eade and Michael J. Sallnow, 1–29, Urbana: University of Illinois) propose for the examination of pilgrimage, namely person and place. Drawing on ethnographic data gathered during fieldwork (2004–2005), it will argue that the feeling of saintly presence is mainly generated by the knowledge people have of Padre Pio having lived and being buried there. This knowledge shapes their pilgrimage experience.
Abstract: This article examines the visual mediation of evangelical short-term mission and the theologically inflected global imaginary that these forms engender. Recent decades have seen the resurgence of long-term mission and the emergence of short-term mission among US Christians. The latter, combining evangelization, service, and tourism, is a staple within evangelical youth culture. I argue that it is used by Christians to constitute themselves as global formations, while also offering theological frames for global Christianity. Central to this global theological imaginary are visual representations of mission encounters with ethnic, sectarian, and racial Others, which illustrate the global scope of mission and missionaries’ understandings of their own efforts to engage and overcome those differences. Through an analysis of the visual content of four short-term mission agencies’ websites, I examine the mediation of global Christianity in contemporary mission and its recruitment of global Christian subjects.
Publisher’s Description: “This book offers a novel account of grace, framed in terms of Bruno Latour’s ‘principle of irreduction.’ It thus models an object-oriented approach to grace, experimentally moving a traditional Christian understanding of grace out of a top-down, theistic ontology and into an agent-based, object-oriented ontology. In the process, it also provides a systematic and original account of Latour’s overall project.
The account of grace offered here redistributes the tasks assigned to science and religion. Where now the work of science is to bring into focus objects that are too distant, too resistant, and too transcendent to be visible, the business of religion is to bring into focus objects that are too near, too available, and too immanent to be visible. Where science reveals transcendent objects by correcting for our nearsightedness, religion reveals immanent objects by correcting for our farsightedness.
Speculative Grace remaps the meaning of grace and examines the kinds of religious instruments and practices that, as a result, take center stage.”
Excerpt: A pivotal moment in the technological history of prayer occurred when Oral Roberts introduced the motion picture camera into the charismatic atmosphere of his massive “tent cathedral.” Through the medium of television, millions of Americans experienced performances of Pentecostal healing prayer for the first time. More than this, however, the motion picture film significantly altered the enthusiastic environment of the healing tent while organizing new sensorial and performative possibilities within the practice of prayer itself. From the first telecast in 1955, it is as if the mechanical eye of the camera gradually insinuated itself into the actions of the prayer line, drawing ever-closer to the intimate tactile contact between the patient and the healer. Through the zooming capacities of the cinematic eye, members of the television audience got an intimate view of the performance of healing prayer, including the vigorous gesticulations, bodily contact, and ecstatic countenances enlivened through this curative technique.